Friday 15 Oct, for Copenhagen Culture Night or Kulturnatten, our interactive work Scatterdance will be showcased at the Niels Bohr Institute, as part of the European Spallation Source's (ESS), Malmo Museet and Inter Arts Centre, Artistic Residency Program. The installation was co-created by myself, Emil Rofors and Keith Lim. With Scatterdance you get to interact with your own avatar and using motion tracking you dance between some virtual "neutron" balls, that bounce off your avatar, onto a "detector” to create your own personal Scatterdance image. You become "the sample": an ESS simulation. All in the name of Art, Dance and Science. We will be at the install from 18-23:00. Niels Bohr Institutet. Universitetsparken 5. See you there! More information: Copenhagen Culture Night event number 758, https://www.kulturnatten.dk/en/Culture-night and on the Niels Bohr Website:https://nbi.ku.dk/moed-os/Kulturnat/kulturnat_2021/
RSS Feed Jeannette received her PhD in June 2021 from London South Bank University School of Applied Science & Arts and Creative Industries (with full Scholarship). Research: Deep Flow: a tentacular worlding of dance, biosensor technology, lived experience and embodied materials of the human and non-humankind (2017-21).
residencies-projects~installations-collaborations (extracted)
Nanocosmic Aesthetics (2021) a collaboration with Dr. Jeannette Ginslov (embodied technologies), Keith Lim (AR/VR) and neutron scientist Emil Rofors, who were selected for the Open Call ESS & InterArts Centre Residency. The project explores Small Angle Neutron Scattering (SANS), the embodiment of data and neutronic imagery, using AR/VR technologies to create a new visual aesthetic. It is a funded by a ccollaboration between Malmö Museer, the European Spallation Source ERIC, the Inter Arts Center Malmö and Lund University. https://www.iac.lu.se/ess-artistic-residency-dr-jeannette-ginslov-keith-lim/
Bodily Interfaces: CATALYSTS (2021) Artistic research residency/collaboration at the Inter Arts Centre Malmö, Sweden August to November 2021, with Margrét Sara Guðjónsdóttir (Choreography and Full Drop somatic practice), Susan Kozel (Philosophy & Archival Concept), Jeannette Ginslov (Video, edit and effects), Keith Lim (AR/MR Creation & Development), Music Peter Rehburg. Premier at the Institute for Cultural Inquiry Berlin. https://www.ici-berlin.org/ February 2022. https://www.iac.lu.se/projects/bodily-interfaces/
Conspiracy Archives (2018-2020) Mixed Reality Archive of Margrét Sara Guðjónsdóttir’s Conspiracy Ceremony – HYPERSONIC STATES. At: Close Encounters Choreographic Exhibition, Copenhagen 2020 https://youtu.be/Qn3avBxgnd0, Flutgraben, Berlin 2019, Hildesheim 2019, Malmö Form Design Centre, 2018
Somatic Archiving Project (2018) in collaboration with Susan Kozel, Margrét Sara Guðjónsdóttir, Jeannette Ginslov, Keith Lim and Daniel Spikol. An artistic research project with the Living Archives Research Project at Malmö University. https://youtu.be/vXW_KoEAa8I
publications
Ginslov, J., (2021) Deep Flow: a return to bodily experience submitted for ‘Practices of phenomenological and artistic research', a special edition for the Journal of Phenomenology & Practice. Currently under peer review. https://journals.library.ualberta.ca/pandpr/index.php/pandpr
Kozel, S., Guðjónsdóttir, M.S., Ginslov, J., and Lim, K. (2018) Conspiracy Archives – A Process Archive of an Archival Process in: Midgelow, V., Bacon, J., Kramer, P., and Hilton, R. (eds.) Researching in/as Motion: A Resource Collection. Helsinki: Artistic Doctorates in Europe/TEAK Publications https://nivel.teak.fi/adie/conspiracy-archives/
Ginslov, J., 2017 The Poetics of Temporal Scaffolding and Porosity: Sharing Affect and Memory. Repertoire Magazine, Year 20 - Number 28 - 2017.1, in Technological Poetics in the Performing Arts A production by the Postgraduate Program in Performing Arts of the Federal University of Bahia, Brazil. ISSN 2175-8131 https://portalseer.ufba.br/index.php/revteatro/article/view/25008
Ginslov, J. (2016) Temporal Scaffolding: A Collaborative and Networked Infrastructure of Techne, Screendance, AR, Affect, Audiences and Smart Mobile Devices, in: Baker, C. C. and Sicchio, K. (eds.) Intersecting Art and Technology in Practice. Techne/Technique /Technology. Routledge Taylor & Francis Group, New York and London, pp. 112-127.
residencies-projects~installations-collaborations (extracted)
Nanocosmic Aesthetics (2021) a collaboration with Dr. Jeannette Ginslov (embodied technologies), Keith Lim (AR/VR) and neutron scientist Emil Rofors, who were selected for the Open Call ESS & InterArts Centre Residency. The project explores Small Angle Neutron Scattering (SANS), the embodiment of data and neutronic imagery, using AR/VR technologies to create a new visual aesthetic. It is a funded by a ccollaboration between Malmö Museer, the European Spallation Source ERIC, the Inter Arts Center Malmö and Lund University. https://www.iac.lu.se/ess-artistic-residency-dr-jeannette-ginslov-keith-lim/
Bodily Interfaces: CATALYSTS (2021) Artistic research residency/collaboration at the Inter Arts Centre Malmö, Sweden August to November 2021, with Margrét Sara Guðjónsdóttir (Choreography and Full Drop somatic practice), Susan Kozel (Philosophy & Archival Concept), Jeannette Ginslov (Video, edit and effects), Keith Lim (AR/MR Creation & Development), Music Peter Rehburg. Premier at the Institute for Cultural Inquiry Berlin. https://www.ici-berlin.org/ February 2022. https://www.iac.lu.se/projects/bodily-interfaces/
Conspiracy Archives (2018-2020) Mixed Reality Archive of Margrét Sara Guðjónsdóttir’s Conspiracy Ceremony – HYPERSONIC STATES. At: Close Encounters Choreographic Exhibition, Copenhagen 2020 https://youtu.be/Qn3avBxgnd0, Flutgraben, Berlin 2019, Hildesheim 2019, Malmö Form Design Centre, 2018
Somatic Archiving Project (2018) in collaboration with Susan Kozel, Margrét Sara Guðjónsdóttir, Jeannette Ginslov, Keith Lim and Daniel Spikol. An artistic research project with the Living Archives Research Project at Malmö University. https://youtu.be/vXW_KoEAa8I
publications
Ginslov, J., (2021) Deep Flow: a return to bodily experience submitted for ‘Practices of phenomenological and artistic research', a special edition for the Journal of Phenomenology & Practice. Currently under peer review. https://journals.library.ualberta.ca/pandpr/index.php/pandpr
Kozel, S., Guðjónsdóttir, M.S., Ginslov, J., and Lim, K. (2018) Conspiracy Archives – A Process Archive of an Archival Process in: Midgelow, V., Bacon, J., Kramer, P., and Hilton, R. (eds.) Researching in/as Motion: A Resource Collection. Helsinki: Artistic Doctorates in Europe/TEAK Publications https://nivel.teak.fi/adie/conspiracy-archives/
Ginslov, J., 2017 The Poetics of Temporal Scaffolding and Porosity: Sharing Affect and Memory. Repertoire Magazine, Year 20 - Number 28 - 2017.1, in Technological Poetics in the Performing Arts A production by the Postgraduate Program in Performing Arts of the Federal University of Bahia, Brazil. ISSN 2175-8131 https://portalseer.ufba.br/index.php/revteatro/article/view/25008
Ginslov, J. (2016) Temporal Scaffolding: A Collaborative and Networked Infrastructure of Techne, Screendance, AR, Affect, Audiences and Smart Mobile Devices, in: Baker, C. C. and Sicchio, K. (eds.) Intersecting Art and Technology in Practice. Techne/Technique /Technology. Routledge Taylor & Francis Group, New York and London, pp. 112-127.
