CATALYSTS - Somatic Resonance (2022)
This is a Screendance and AR choreographic exhibition of somatic body states from the work of Icelandic choreographer Margrét Sara Guðjónsdóttir. The exhibition is a choreography of Mixed Realty technologies, kinaesthetic algorithms, archival material and live bodies. Visitors are invited to download the CATALYSTS app to immerse themselves in the resonant states of the dancers informed by Guðjónsdóttir’s deep tissue release practice “FULL DROP into the Body”. States of affective potential arise from awakening latent energies over time, across media and flesh, expanding what dance can be and how bodies can remember. See Project pages for more info: http://www.jginslov.com/catalysts-somatic-resonance.html and https://www.somaticarchiving.org/work/catalysts-somatic-resonance
This work was created by an interdisciplinary team of artists and researchers at Inter Arts Centre in Malmö Sweden, November 2021 - January 2022. It is an intervention into the tensions and potential of current digital cultures and participates in ongoing discussions around the expanded choreographies of interconnectivity of mediated bodies, healing, feminism, notions of energetic citizenship, AI and the pathology of the wider social-political body within our own bodies. Visitors to the exhibition carry the states from this choreographic exhibition outwards, like ripples in a collective somatic field. It premièred 24-28 Feb 2022 at the Institute for Cultural Inquiry, Berlin.
This work was created by an interdisciplinary team of artists and researchers at Inter Arts Centre in Malmö Sweden, November 2021 - January 2022. It is an intervention into the tensions and potential of current digital cultures and participates in ongoing discussions around the expanded choreographies of interconnectivity of mediated bodies, healing, feminism, notions of energetic citizenship, AI and the pathology of the wider social-political body within our own bodies. Visitors to the exhibition carry the states from this choreographic exhibition outwards, like ripples in a collective somatic field. It premièred 24-28 Feb 2022 at the Institute for Cultural Inquiry, Berlin.
NANOCOSMIC AESTHETICS - Scatterdance (2021)
Scatterdance was selected for the artistic residency program Nanocosmic Investigations by the European Spallation Source (ESS), Malmö Museet and Inter Arts Centre, Artistic Residency Program 2021. The installation Scatterdance was co-created during the residency by Jeannette Ginslov, nuclear physicist Emil Rofors and media artist Keith Lim. It premiered at Copenhagen Kulturnatten 15 October 2021, @ HC Ørstedt Institute Copenhagen University, Copenhagen. See the final outcomes on the Project page: http://www.jginslov.com/nanocosmic-aesthetics.html
The residency was part of the collaborative project Wisdome Innovation, funded by the European Regional Development Fund among others.
https://www.iac.lu.se/ess-artistic-residency-dr-jeannette-ginslov-keith-lim/
Scatterdance was produced for the European Spallation Source's (ESS), Malmö Museet and Inter Arts Centre, Artistic open Call Residency Program. https://www.iac.lu.se/open-call-ess-residency/. and http://www.iac.lu.se/ess-residency-nanocosmic-investigations/
Ginslov edited the legacy video below for the residency in 2022:
The residency was part of the collaborative project Wisdome Innovation, funded by the European Regional Development Fund among others.
https://www.iac.lu.se/ess-artistic-residency-dr-jeannette-ginslov-keith-lim/
Scatterdance was produced for the European Spallation Source's (ESS), Malmö Museet and Inter Arts Centre, Artistic open Call Residency Program. https://www.iac.lu.se/open-call-ess-residency/. and http://www.iac.lu.se/ess-residency-nanocosmic-investigations/
Ginslov edited the legacy video below for the residency in 2022:
CONSPIRACY ARCHIVES (2017-2020)
This was created during a residency in Berlin over several months in 2017. Using Mixed Reality, a Screendance and AR archive was created of the studio processes of choreographer Margrét Sara Guðjónsdóttir in creating her 2017 performance Conspiracy Ceremony: HYPERSONIC STATES.
Collaborators: Margrét Sara Guðjónsdóttir, Jeannette Ginslov, Keith Lim and Daniel Spikol. Dancers: Johanna Chemnitz, Catherine Jodoin, Laura Sigemund, Marie Topp, Suet-Wan Tsang. Composer: Peter Reyberg. Photographer and videographer: Jeannette Ginslov. See the final outcomes on the Project page http://www.jginslov.com/conspiracy-archives.html for more details as well as
https://www.somaticarchiving.org/work/conspiracy-archives
Collaborators: Margrét Sara Guðjónsdóttir, Jeannette Ginslov, Keith Lim and Daniel Spikol. Dancers: Johanna Chemnitz, Catherine Jodoin, Laura Sigemund, Marie Topp, Suet-Wan Tsang. Composer: Peter Reyberg. Photographer and videographer: Jeannette Ginslov. See the final outcomes on the Project page http://www.jginslov.com/conspiracy-archives.html for more details as well as
https://www.somaticarchiving.org/work/conspiracy-archives
P(AR)TICIPATE: body of experience | body of work | body as archive (2014)
World Premiere Lake Studios Berlin 30 Aug 2014
Concept, Performance and interaction design by Jeannette Ginslov
Created during a six week dance-tech AIR Residency at Lake Studios Berlin.
Other performances: Dance Base and Hannah Maclure Centre, Scotland 2015.
P(AR)ticipate is an immersive participatory and live performance installation using the AR (Augmented Reality) app Aurasma to access Ginslov's personal memories of living in an Apartheid & Democratic South Africa as well as documentary footage of her 25 year dance archive. It was created during a six week dance-tech AIR Residency at Lake Studios Berlin. The live performance installation uses the AR app on mobile smart phones, to access ten haptic and ten archive videos that are tagged on images in the space - walls, floor and Ginslov's moving body.
Videos are triggered by the audience holding their device over the tagged images:
Link: 10 Haptic Videos triggered by Ginslov's personal somatic hieroglyphs (Inspired by Nancy Stark Smith's Underscores)
Camera & edit: Jeannette Ginslov, 2nd Camera: Marcela Gietsche, Location: Lake Studios Berlin
Link: 10 Archive Videos triggered by images of Ginslov's live dance and screendance works
Camera: Jeannette Ginslov, Donald Tolmie & Vilte Vaitkute,
Edit: Jeannette Ginslov, Location: South Africa & Dundee Scotland
Many thanks: Lake Studios Berlin & dance-tech.net
Documentary video produced by Marlon Barrios Solano for dance-tech.net
Concept, Performance and interaction design by Jeannette Ginslov
Created during a six week dance-tech AIR Residency at Lake Studios Berlin.
Other performances: Dance Base and Hannah Maclure Centre, Scotland 2015.
P(AR)ticipate is an immersive participatory and live performance installation using the AR (Augmented Reality) app Aurasma to access Ginslov's personal memories of living in an Apartheid & Democratic South Africa as well as documentary footage of her 25 year dance archive. It was created during a six week dance-tech AIR Residency at Lake Studios Berlin. The live performance installation uses the AR app on mobile smart phones, to access ten haptic and ten archive videos that are tagged on images in the space - walls, floor and Ginslov's moving body.
Videos are triggered by the audience holding their device over the tagged images:
Link: 10 Haptic Videos triggered by Ginslov's personal somatic hieroglyphs (Inspired by Nancy Stark Smith's Underscores)
Camera & edit: Jeannette Ginslov, 2nd Camera: Marcela Gietsche, Location: Lake Studios Berlin
Link: 10 Archive Videos triggered by images of Ginslov's live dance and screendance works
Camera: Jeannette Ginslov, Donald Tolmie & Vilte Vaitkute,
Edit: Jeannette Ginslov, Location: South Africa & Dundee Scotland
Many thanks: Lake Studios Berlin & dance-tech.net
Documentary video produced by Marlon Barrios Solano for dance-tech.net
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ARTIST IN RESIDENCE (2014)
Rhodes University Drama Department, Grahamstown, South Africa.
Jeannette Ginslov was invited to create a dance work on the Honours Drama Students. Together they created The Exploding Room - a 25 min digital dance performance using portable lights, projected video, Google Hangout, Facebook and the AR app Aurasma.
Jeannette Ginslov was invited to create a dance work on the Honours Drama Students. Together they created The Exploding Room - a 25 min digital dance performance using portable lights, projected video, Google Hangout, Facebook and the AR app Aurasma.
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Artist in Residence at MEDEA, Malmö University (2012)
Jeannette Ginslov’s work centers around affect, haptic and digital materiality on several platforms: stage, screens, online and new media applications. Ginslov’s residency, funded by the Danish Arts Council, focuses on the project AffeXity, that draws together screendance, visual imagery, AR and mobile networked devices. Together with Prof Susan Kozel, a team of researchers and students, Ginslov will be exploring and striving for a number things, e.g. developing the techne for capturing affective choreographies embedded in cityscapes, using video, the apps Aurasma and Argon on mobile networked smart phones and tablets.
Artist in Residence Spring 2012 at MEDEA: Introducing Jeannette Ginslov at MEDEA Talks #19 "Capturing Affect with a handful of Techne" Supported by THE DANISH ARTS FOUNDATION.
Artist in Residence Spring 2012 at MEDEA: Introducing Jeannette Ginslov at MEDEA Talks #19 "Capturing Affect with a handful of Techne" Supported by THE DANISH ARTS FOUNDATION.