Dr Jeannette Ginslov (Phd, MSc, MA) is an artist, researcher and scholar exploring dance, Screendance and embodied technologies. She is an independent Screendance maker, producer, online workshop facilitator, curator and has screened her works internationally. In 2021 she was awarded a PhD from the Arts and Creative Industries Department at London South Bank University, where she researched Deep Flow: a tentacular worlding of dance, biosensor technology, lived experience, and embodied materials of the human and non-humankind. She also has an MSc in Screendance Dundee University (Distinction), and an MA in Choreography, Rhodes University.
Currently Ginslov is living in Malmö Sweden, working on:
Bodily Interfaces: CATALYSTS, at the Inter Arts Centre Malmö: https://www.iac.lu.se/projects/bodily-interfaces/ The project is an AR/AI and Screendance collaboration with Prof Susan Kozel from Malmö University, choreographer Margrét Sara Guðjónsdóttir and AR/AI designer Keith Lim. This will premiere in Berlin 2022 at the Institute for Cultural Inquiry https://www.ici-berlin.org/
Nanocosmic Aesthetics, a collaboration with Keith Lim and nuclear scientist Emil Rofors, selected for the Open Call ESS & InterArts Centre Residency in Malmö, exploring Small Angle Neutron Scattering (SANS), the embodiment of data and neutronic imagery, using AR/VR technologies to create a new visual aesthetic.
Since 2020, she has been facilitating Screendance classes online to MA and Third Year Choreography students studying at the Institute for Creative Arts and Interdisciplinary Institute in the University of Cape Town’s Humanities Faculty. She teaches 50+ Ballet Classes online for The Institute of Sports and Exercise, Dundee University and previously worked part time as Gallery Assistant at the Hannah Maclure Centre (2016-17). See CV or bio for publications and other research collaborations, installations and events.