Jeannette Ginslov is a Specialist in Digital Dance for AR, Screen and Biosensor Performance: filmmaker, researcher and curator.
She has an MSc Media Arts & Imaging – Screendance from Duncan of Jordanstone College of Art & Design, University of Dundee, Scotland (Distinction) and an MA Speech and Drama - Choreography from Rhodes University South Africa. She is Director and Curator of Screendance Africa (Pty) Ltd Cape Town, Online Producer for MoveStream, Videographer and editor for the AR & Screendance Research Project AffeXity (2011-2017), Somatic Archiving and Conspiracy Archives (2017-present) in collaboration with Susan Kozel. She was a part-time lecturer in Dance and Technology at The Space, Dundee, Scotland.
Currently she is a full time PhD Creative Technologies Candidate at London South Bank University with Full Scholarship from the Arts & Media and Applied Science Departments. Research area: Re-visualising embodiment and human movement with biosensor technology (2016-19).
As an independent filmmaker she works across several media platforms - the body, screen, mobile devices, AR and the internet. She directs, shoots and edits her screendance works for online production, single screen events, installations and social media. The works centre around affect, the moving body and its digital materiality. She produces documentaries, teasers and trailers. Her works have been screened on BBC Big Screens Outdoors UK, Danish Film Institute, Edinburgh Festival, British Film Institute, Lincoln Centre New York, REDCAT Theatre Los Angeles and at many other screendance festivals around the globe. Her AR (Augmented Reality) and screendance works investigate somatic archiving and memory across bodies and networked mobile devices. Her latest Screendance and AR project P(AR)ticipate premiered in Berlin at the Lake Studios in 2014 and has since been performed at Tanzrauschen in Wuppertal, HMC in Dundee, CCA in Glasgow and Dança em Foco Rio de Janeiro, Brazil.
She collaborates on many projects, the most notable being:
Tentacular Worldings, her PhD Project with Daniel Spikol at Malmö University
Somatic Archiving in Berlin and Malmö, Sweden with Susan Kozel, Professor of New Media Medea at Malmö University and Choreographer, Margrét Sara Guðjónsdóttir.
AffeXity: an interdisciplinary screendance & AR (Augmented Reality) research project, that explores a-fixty, affect and somatic archiving in cities (2011-present), in collaboration with Prof Susan Kozel at MEDEA Malmö University Sweden.
From 2011-2014 she was Coordinator and Jury member of the online screendance competition 60secondsdance.dk and founder member of ScreenMoves in Copenhagen and served on the International Jury for 60secondsdance.com as well as at Short Waves Festival in Poznan Poland 2019.
Ginslov is a freelance lecturer and facilitates screendance & AR workshops internationally: Wisconsin University USA (2009), University of Dance and Circus Stockholm Sweden (2010), Art on Wires Oslo and Dansehallerne Copenhagen Denmark (2011), Ishyo Arts Centre Kigali Rwanda (2012), GIPCA Cape Town, Rhodes University Drama Department and Durban University of Technology (2012). She ran a series of workshops for the Post Graduate Choreography students at the University of Cape Town Dance Department (2013), Rhodes University Drama Department (2013-14) , Lake Studios Berlin (2014), Vo'Arte InShadow International Screendance Festival, Lisbon (2014), Hong Kong iDance Festival (2014),
Africa in Motion at Dance Base, Edinburgh (2016) Summer Media Studio Lithuania (2016), Federal University of Bahia Salvador, Brazil (2016) Dança em Foco International Screendance Festival Rio de Janeiro (2016), Tanzrauschen Dance Film Festival Screendance & AR Workshop, Wuppertal, Germany (2016). She was also a Temporary Senior Lecturer at Rhodes University Drama Department 2013-14.
She has over thirty years experience as a dancer, teacher, choreographer and director and has won countless awards, commissions, grants and bursaries for her research and practice. Ginslov was founder and Artistic Director for Walking Gusto Productions 2005-8 and curator for Montage Video Dance Festival South Africa in collaboration with the FNB Dance Umbrella 2006-2008.
Ginslov currently lives and works in Dundee Scotland, teaching 50+ Ballet Classes at The Institute of Sports and Exercise, Dundee University and worked part time as Gallery Assistant at the Hannah Maclure Centre (2016-17).
Specialties: Filmmaker, Director, Editor, Choreographer, Curator, Researcher, Lecturer, Augmented Reality, Online Producer, Facilitator, Coordinator.
She has an MSc Media Arts & Imaging – Screendance from Duncan of Jordanstone College of Art & Design, University of Dundee, Scotland (Distinction) and an MA Speech and Drama - Choreography from Rhodes University South Africa. She is Director and Curator of Screendance Africa (Pty) Ltd Cape Town, Online Producer for MoveStream, Videographer and editor for the AR & Screendance Research Project AffeXity (2011-2017), Somatic Archiving and Conspiracy Archives (2017-present) in collaboration with Susan Kozel. She was a part-time lecturer in Dance and Technology at The Space, Dundee, Scotland.
Currently she is a full time PhD Creative Technologies Candidate at London South Bank University with Full Scholarship from the Arts & Media and Applied Science Departments. Research area: Re-visualising embodiment and human movement with biosensor technology (2016-19).
As an independent filmmaker she works across several media platforms - the body, screen, mobile devices, AR and the internet. She directs, shoots and edits her screendance works for online production, single screen events, installations and social media. The works centre around affect, the moving body and its digital materiality. She produces documentaries, teasers and trailers. Her works have been screened on BBC Big Screens Outdoors UK, Danish Film Institute, Edinburgh Festival, British Film Institute, Lincoln Centre New York, REDCAT Theatre Los Angeles and at many other screendance festivals around the globe. Her AR (Augmented Reality) and screendance works investigate somatic archiving and memory across bodies and networked mobile devices. Her latest Screendance and AR project P(AR)ticipate premiered in Berlin at the Lake Studios in 2014 and has since been performed at Tanzrauschen in Wuppertal, HMC in Dundee, CCA in Glasgow and Dança em Foco Rio de Janeiro, Brazil.
She collaborates on many projects, the most notable being:
Tentacular Worldings, her PhD Project with Daniel Spikol at Malmö University
Somatic Archiving in Berlin and Malmö, Sweden with Susan Kozel, Professor of New Media Medea at Malmö University and Choreographer, Margrét Sara Guðjónsdóttir.
AffeXity: an interdisciplinary screendance & AR (Augmented Reality) research project, that explores a-fixty, affect and somatic archiving in cities (2011-present), in collaboration with Prof Susan Kozel at MEDEA Malmö University Sweden.
From 2011-2014 she was Coordinator and Jury member of the online screendance competition 60secondsdance.dk and founder member of ScreenMoves in Copenhagen and served on the International Jury for 60secondsdance.com as well as at Short Waves Festival in Poznan Poland 2019.
Ginslov is a freelance lecturer and facilitates screendance & AR workshops internationally: Wisconsin University USA (2009), University of Dance and Circus Stockholm Sweden (2010), Art on Wires Oslo and Dansehallerne Copenhagen Denmark (2011), Ishyo Arts Centre Kigali Rwanda (2012), GIPCA Cape Town, Rhodes University Drama Department and Durban University of Technology (2012). She ran a series of workshops for the Post Graduate Choreography students at the University of Cape Town Dance Department (2013), Rhodes University Drama Department (2013-14) , Lake Studios Berlin (2014), Vo'Arte InShadow International Screendance Festival, Lisbon (2014), Hong Kong iDance Festival (2014),
Africa in Motion at Dance Base, Edinburgh (2016) Summer Media Studio Lithuania (2016), Federal University of Bahia Salvador, Brazil (2016) Dança em Foco International Screendance Festival Rio de Janeiro (2016), Tanzrauschen Dance Film Festival Screendance & AR Workshop, Wuppertal, Germany (2016). She was also a Temporary Senior Lecturer at Rhodes University Drama Department 2013-14.
She has over thirty years experience as a dancer, teacher, choreographer and director and has won countless awards, commissions, grants and bursaries for her research and practice. Ginslov was founder and Artistic Director for Walking Gusto Productions 2005-8 and curator for Montage Video Dance Festival South Africa in collaboration with the FNB Dance Umbrella 2006-2008.
Ginslov currently lives and works in Dundee Scotland, teaching 50+ Ballet Classes at The Institute of Sports and Exercise, Dundee University and worked part time as Gallery Assistant at the Hannah Maclure Centre (2016-17).
Specialties: Filmmaker, Director, Editor, Choreographer, Curator, Researcher, Lecturer, Augmented Reality, Online Producer, Facilitator, Coordinator.
