Jeannette Ginslov (Phd, MSc, MA) is a mediadance artist, researcher and published scholar, whose practice as research examines embodiment in relation to dance, materiality, video and embodied technologies. She is an independent Screendance maker, producer, online workshop facilitator, curator and has screened her works internationally since 2007. In 2021 she was awarded a PhD from the Arts and Creative Industries Department at London South Bank University, where she researched Deep Flow: a tentacular worlding of dance, biosensor technology, lived experience, and embodied materials of the human and non-humankind. She also has an MSc in Screendance Dundee University (Distinction), and an MA in Choreography, Rhodes University. Her current research focuses on embodied materiality, Screendance and visual aesthetics.
Since moving to Malmö Sweden in 2021, she has worked on:
CATALYSTS - Somatic Resonance developed at the Inter Arts Centre Malmö: https://www.iac.lu.se/projects/bodily-interfaces/ The project is an AR/MR/AI and Screendance collaboration with Susan Kozel (Malmö University), choreographer Margrét Sara Guðjónsdóttir and AR/AI designer Keith Lim. It premiered 22 February 2022 in Berlin at the Institute for Cultural Inquiry
See: https://www.somaticarchiving.org/work/catalysts-somatic-resonance
Nanocosmic Aesthetics: Scatterdance, a collaboration with Keith Lim and nuclear scientist Emil Rofors, selected for the Open Call ESS & InterArts Centre Residency in Malmö, exploring Small Angle Neutron Scattering (SANS), the embodiment of data and neutronic imagery, using AR/VR technologies to create a new visual aesthetic. www.iac.lu.se/news/ess-residency-artists-selected/
January 2022 she joined the School of Arts and Communication, K3 Malmö University, Sweden, as a Media and Communications Master's Thesis Supervisor.
Conducted online Screendance facilitation for MA and Third Year Choreography Dance students at the Institute for Creative Arts and Interdisciplinary Institute in the University of Cape Town’s Humanities Faculty (2019-2021).
She also teaches 40+ Adult Ballet Classes in Malmö
See CV or bio and texts for publications and other research collaborations, installations and events.
Since moving to Malmö Sweden in 2021, she has worked on:
CATALYSTS - Somatic Resonance developed at the Inter Arts Centre Malmö: https://www.iac.lu.se/projects/bodily-interfaces/ The project is an AR/MR/AI and Screendance collaboration with Susan Kozel (Malmö University), choreographer Margrét Sara Guðjónsdóttir and AR/AI designer Keith Lim. It premiered 22 February 2022 in Berlin at the Institute for Cultural Inquiry
See: https://www.somaticarchiving.org/work/catalysts-somatic-resonance
Nanocosmic Aesthetics: Scatterdance, a collaboration with Keith Lim and nuclear scientist Emil Rofors, selected for the Open Call ESS & InterArts Centre Residency in Malmö, exploring Small Angle Neutron Scattering (SANS), the embodiment of data and neutronic imagery, using AR/VR technologies to create a new visual aesthetic. www.iac.lu.se/news/ess-residency-artists-selected/
January 2022 she joined the School of Arts and Communication, K3 Malmö University, Sweden, as a Media and Communications Master's Thesis Supervisor.
Conducted online Screendance facilitation for MA and Third Year Choreography Dance students at the Institute for Creative Arts and Interdisciplinary Institute in the University of Cape Town’s Humanities Faculty (2019-2021).
She also teaches 40+ Adult Ballet Classes in Malmö
See CV or bio and texts for publications and other research collaborations, installations and events.
