Jeannette Ginslov has facilitated Screendance Workshops internationally since 2010 in South Africa, Rwanda, Denmark, Norway, Sweden, USA, Hong Kong, Portugal, UK, South America and Germany. From 2014, this has included the use of AR or Augmented Reality and Screendance within interaction designs.
The workshops provide a unique opportunity for filmmakers, digital media and dance practitioners to explore, the crossover of cinematic techniques, dance, choreography, editing and interaction design. Participants learn to work in teams, to shoot, edit, produce and share their own screendance videos, documentaries or teasers for screen, online platforms or AR. Learning occurs through a step by step series of exercises, where participants explore choreography and movement for both dancer and camera and within a few hours come to grips with the technology, using a hands on approach. The focus is on non linear storytelling, the moving body, its digital and somatic materiality, the amplification of affect and the haptic through the choreography, shoot, edit and AR interaction design. YouTube Playlist
Testimonial from TANZRAUSCHEN – International Dance on Screen Festival 2016, Wuppertal Germany
"The Screendance and Augmented Reality workshop is an exceptional experience in the field of performing and visual arts specifically related to the field of dance. We received an inspiring overview of new media applications and experienced the fusion between digital art and dance on screen. The application of the Augmented Reality technology in this context generates never before-seen choreographic formations, which serve as a substantial tool to broaden the existing perception of dance and choreography. With the use of smartphones and tablets the workshop opened up new perspectives of storytelling and choreography."
Testimonial from Lee Lappin, Creative Director of The Space, Scottish School of Contemporary Dance, Dundee Scotland.
"Jeannette’s approach to teaching and learning enabled the learners to seek direction, feedback and training whilst remaining autonomous and self-directed during their creative projects. I observed the learners confidence and enthusiasm for using film expand, and also the use of technology in general. The outcomes were of excellent standard and quality which is a testament to the work undertaken."
Students who attended her screendance course have won awards and been recognised internationally:
The workshops provide a unique opportunity for filmmakers, digital media and dance practitioners to explore, the crossover of cinematic techniques, dance, choreography, editing and interaction design. Participants learn to work in teams, to shoot, edit, produce and share their own screendance videos, documentaries or teasers for screen, online platforms or AR. Learning occurs through a step by step series of exercises, where participants explore choreography and movement for both dancer and camera and within a few hours come to grips with the technology, using a hands on approach. The focus is on non linear storytelling, the moving body, its digital and somatic materiality, the amplification of affect and the haptic through the choreography, shoot, edit and AR interaction design. YouTube Playlist
Testimonial from TANZRAUSCHEN – International Dance on Screen Festival 2016, Wuppertal Germany
"The Screendance and Augmented Reality workshop is an exceptional experience in the field of performing and visual arts specifically related to the field of dance. We received an inspiring overview of new media applications and experienced the fusion between digital art and dance on screen. The application of the Augmented Reality technology in this context generates never before-seen choreographic formations, which serve as a substantial tool to broaden the existing perception of dance and choreography. With the use of smartphones and tablets the workshop opened up new perspectives of storytelling and choreography."
Testimonial from Lee Lappin, Creative Director of The Space, Scottish School of Contemporary Dance, Dundee Scotland.
"Jeannette’s approach to teaching and learning enabled the learners to seek direction, feedback and training whilst remaining autonomous and self-directed during their creative projects. I observed the learners confidence and enthusiasm for using film expand, and also the use of technology in general. The outcomes were of excellent standard and quality which is a testament to the work undertaken."
Students who attended her screendance course have won awards and been recognised internationally:
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"Ref-Reality" created at the Summer Media Studio, won Best Film and Choreography at the SMS 2016 Awards.
Director & Choreographer: Anastasia Lonšakova. Camera & Edit: Erdvilas Petras Dancers: Viola Tømte & Adomas Jablonskis. Tutors: Jeannette Ginslov & Helena Jonsdottir |
Guy Ndoli Director of "Vulnerability" won Jury's Choice Award for University of Utah Student Screendance Competition May 2013 after attending a workshop with Ginslov at the Ishyo Arts Centre in Kigali Rwanda 16-20 April 2012.
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"uValo" directed by Akona Matyila, was screened at the Durban International Film Festival 2013, after attending Screendance Africa and Durban University of Technology Screendance Workshop, led by Ginslov for the Albany Grove Dance Film Project 22Oct-30 Nov 2012.
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Screendance & AR Workshops
SUMMER MEDIA STUDIO 2016 Nida Art Colony Lithuania
SMS 2016, 20th June to 2nd July, provided a unique opportunity for filmmakers and dance practitioners to explore the crossover of cinematic techniques, dance, choreography and editing. During the workshop professional tutors introduced the meaning of interactive dance and guided all attendees during the workshop. The workshop included the use of AR or Augmented Reality and 3D films using Google Cardboard. Through a combination of lectures, screenings and film shooting participants learnt to work in international teams in order to make their own short interactive dance films. With an assistance of industry professionals and lecturers 5 international shooting crews made 5 short films. Ginslov also created an AR interaction gallery for the the trailers of the films. http://summermediastudio.lt/2016/
Tutors: Jeannette Ginslov, Helena Jonsdottir and Vesta Grabštaitė http://summermediastudio.lt/2016/#tutors
SMS 2016 was produced by the Lithuanian Academy of Music and Theatre - International European film student workshop. Screendance, 3D Film and AR workshop. Location 2016 Nida Art Colony http://nidacolony.lt/
SMS 2016, 20th June to 2nd July, provided a unique opportunity for filmmakers and dance practitioners to explore the crossover of cinematic techniques, dance, choreography and editing. During the workshop professional tutors introduced the meaning of interactive dance and guided all attendees during the workshop. The workshop included the use of AR or Augmented Reality and 3D films using Google Cardboard. Through a combination of lectures, screenings and film shooting participants learnt to work in international teams in order to make their own short interactive dance films. With an assistance of industry professionals and lecturers 5 international shooting crews made 5 short films. Ginslov also created an AR interaction gallery for the the trailers of the films. http://summermediastudio.lt/2016/
Tutors: Jeannette Ginslov, Helena Jonsdottir and Vesta Grabštaitė http://summermediastudio.lt/2016/#tutors
SMS 2016 was produced by the Lithuanian Academy of Music and Theatre - International European film student workshop. Screendance, 3D Film and AR workshop. Location 2016 Nida Art Colony http://nidacolony.lt/
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Short Doccie by Jeannette Ginslov
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The Making of SMS 2016 by Ula Rugevičiūtė Rugytė
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FEDERAL UNIVERSITY OF BAHIA 2016 Salvador Brazil
Screendance & AR Workshop 31 May - 02 June 2016 for dance and media students at the FUBA
Workshop: 31 May - 02 June Talk: 02 June "Openness, porosity and audience reception of personal somatic and haptic memory found in P(AR)ticipate: body of experience/body of work/body as archive"
Student AR Public Showing: 02 June
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DANÇA EM FOCO 2016
Rio de Janeiro Brazil International Festival of Video and Dance At the Castelinho do Flamengo, Rio de Janeiro Workshop: 24-17 May http://dancaemfoco.com.br/index.php/en/ Talk: 28 May: "Openness, porosity and audience reception of personal somatic and haptic memory found in P(AR)ticipate: body of experience/body of work/body as archive" |
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TANZRAUSCHEN International Dance Film Festival 2016 Wuppertal Germany
Die Börse Kommunikationszentrum in Wuppertal Germany 28-31 January 2016 http://festival.tanzrauschen.de/
Screendance Conference 28-29 January Konferenz der Kultur- und Kreativwirtschaft im Rahmen des Tanzrauschen – European Dance on Screen – Grounding of a Commission. Meeting of European Curators and Institutions of Dance on Screen. http://festival.tanzrauschen.de/conference/
Screendance Africa's curated list of dance films screened in the Looproom in Die Borse Wuppertal Germany.
http://festival.tanzrauschen.de/looproom/
Screendance & AR workshop 31 January 2016 in Die Borse Wuppertal Germany. Workshop 3.
CRAIG OWL COMMUNITY FUTURES 2016 Dundee Scotland
A Leap of Faith into the Future using dance, art, digital and mobile technologies. Attended by people who homeless or had lost their way and needed a step up. 15 January- 29 February 2016. Opening Night of the installation of the AR Gallery at The Roseangle Arts Café Dundee 29 February 2016. Opened by DCA’s Director Beth Bate.
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THE COLLABORATORY with Scottish Dance Theatre 2015 Dundee Scotland
A residency and workshop with Scottish Dance Theatre, Hannah Maclure Centre & Abertay University 26-29 May 2015, Dundee Scotland. A Collaboration and exploration by artists working in different media - dance, screendance, AR, interactive media and motion capture. With dancers from the Scottish Dance Theatre, screendance & AR artist Jeannette Ginslov, Lynne Parker (motion capture), Corinne Jola (interactive media), Tom de Mayo (AR) and Taz Ulla ((interactive sound). Video by Jeannette Ginslov
HANNAH MACLURE CENTRE 2015 Dundee Scotland
As part of the HMC Decoding Space Exhibition where P(AR)ticipate was installed April
Feedback: Tom deMajo Director Creator of the AR project Other by Quartic Llama "I really enjoyed it! First off I appreciated the interactive camerawork sessions, especially the constant connection with a moving subject. It was a good recalibration of subject/object and recorder/participator relationship. Nice! Second, it was also great for me to finally have a playful reason to use Aurasma and AR. It was fun working in a group. I really like your approach to using AR."
Feedback: Clare Brennan Curator Hannah Maclure Centre."It was wonderful to explore the medium of AR in a creative way. I was pleasantly surprised at how well our students (who are rarely required to move/be physical) took to the tasks. I would put that down to your well-paced and clearly instructed activities. It was easy for them to make connections between the work they are used to doing and the challenge to expand those ideas to collaborate with other disciplines (film/dance etc). It was accessible whilst remaining challenging and fun (a tricky thing to do!)."
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Feedback: Dr Corinne Jola Lecturer Psychology Abertay University. "I thought your instructions when we were recording each other and emotions were really good. I mostly enjoyed the actual experience of using the Aurasma App. The actual doing is inspiring."
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Feedback: Pernille Spence Lecturer DJCAD University of Dundee & Performance Artist. "I also enjoyed it very much. I think this could easily have been a full day workshop. You avoid technological novelty but have developed a beautifully creative way for people to interact with technology, story and physical experience."
NORTHAMPTON UNIVERSITY DANCE DEPARTMENT 2015 UK
As Visiting Fellow for a Screendance & AR Lec Dem
26 Jan 2015 13:00-16:00
Third & Fourth Year Dance Students at Northampton University Lecture on Screendance and the project AffeXity
Students then made their own Screendance Interaction Designs using Aurasma
As Visiting Fellow for a Screendance & AR Lec Dem
26 Jan 2015 13:00-16:00
Third & Fourth Year Dance Students at Northampton University Lecture on Screendance and the project AffeXity
Students then made their own Screendance Interaction Designs using Aurasma
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InSHADOW International Festival of Video Performance and Technologies 2014 LISBON
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iDANCE FESTIVAL Y-Space 2014 Hong Kong
Screendance Workshop, Online Lecture & Video Dance Screening Link
Travel grant and Funding supported by the DANISH ARTS FOUNDATION
Screendance Workshops iDance Hong Kong 22-29 Nov
Dance and Digital Technologies: A practice led introduction to the making of Screendance
A 'research in action' practice led introduction to the making of dance on screen: workshops explore, hands on, the crossover of cinematic techniques, dance, choreography, editing and the use of social media. Link.
Student Videos
Dance and Digital Technologies: A practice led introduction to the making of Screendance
A 'research in action' practice led introduction to the making of dance on screen: workshops explore, hands on, the crossover of cinematic techniques, dance, choreography, editing and the use of social media. Link.
Student Videos
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Screendance Online Lecture iDance Hong Kong 23 Nov
Filmmaker, researcher and curator Jeannette Ginslov works at the interface between the body and digital image; she takes “dance video” beyond sitting down and looking at the screen. Ginslov will introduce her work in dance on screen and demonstrate the use of AR or Augmented Reality in digital dance. Link. Live Broadcast of the Screendance & AR lecture
Filmmaker, researcher and curator Jeannette Ginslov works at the interface between the body and digital image; she takes “dance video” beyond sitting down and looking at the screen. Ginslov will introduce her work in dance on screen and demonstrate the use of AR or Augmented Reality in digital dance. Link. Live Broadcast of the Screendance & AR lecture
Screendance Africa & 60secondsdance.dk Top 10 2014 at iDance Hong Kong Video Marathon. Link
LAKE STUDIOS BERLIN
Screendance Workshop 30 Aug 2014
Screendance Workshop 30 Aug 2014
* Header photo: Ula Rugevičiūtė Rugytė
